Cntemporary art Archives - Katharine Mulherin https://www.katharinemulherin.com/category/contemporary-art/ Modern Art Fri, 28 Mar 2025 15:04:13 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.2 https://www.katharinemulherin.com/wp-content/uploads/2021/07/cropped-franziska-icon-1-32x32.png Cntemporary art Archives - Katharine Mulherin https://www.katharinemulherin.com/category/contemporary-art/ 32 32 Why Artists Keep Returning to the Same Themes https://www.katharinemulherin.com/why-artists-keep-returning-to-the-same-themes/ Fri, 28 Mar 2025 15:04:13 +0000 https://www.katharinemulherin.com/?p=414 Art is often thought of as a way to express something new. But for many artists, the deepest truths are found not in the unfamiliar but in what they return to over and over again. A particular color. A shape. A person. A gesture. A space. These elements reappear, not out of habit, but because...

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Art is often thought of as a way to express something new. But for many artists, the deepest truths are found not in the unfamiliar but in what they return to over and over again. A particular color. A shape. A person. A gesture. A space. These elements reappear, not out of habit, but because they still hold something unresolved.

Repetition is not about copying. It’s about revisiting. And in that act, artists often find their work getting closer to something honest, even if they never fully name it. This article explores why returning to the same themes can be a rich, emotional part of the creative process.

Memory Isn’t Linear and Neither Is Art

For artists, memory doesn’t always unfold in a straight line. Just like in life, something small can pull us back to a specific moment. A window. A certain light. The feel of fabric. These triggers create emotional loops that live inside the work.

Rather than trying to “move past” a subject, some artists choose to stay with it. They work it over like a recurring dream, changing the details but never fully escaping the core feeling. This kind of practice reflects the way people process memory – in circles, not steps.

Repetition becomes a way of rethinking, not repeating. With each version of the idea, the artist understands it differently. Maybe it softens. Maybe it sharpens. But it always changes.

Themes Are Often Emotional Anchors

Artists often build a language of symbols without even realizing it. A red curtain, a certain type of shadow, a quiet table, the back of someone’s head. These images may appear again and again, like emotional shorthand.

Themes like loss, longing, distance, home, or tenderness tend to resurface. But it’s not because the artist is out of ideas. It’s because those feelings never really go away. They just take on new shapes.

Some artists even say they feel “haunted” by certain images. Not in a dramatic sense, but in a quiet, persistent way. These are the things they need to paint or sculpt or photograph to understand something inside themselves. And every time they do, they get a little closer.

Time and Perspective Make the Old Feel New

Returning to a theme years later often produces unexpected results. The artist is no longer the same person. Their tools may be sharper, their questions deeper, or their emotional landscape quieter. And so the same idea, revisited, becomes something else entirely.

This shift in perspective is part of what makes art feel alive. A recurring image might carry a completely different weight depending on when it was made. Viewers may not notice the difference at first glance, but they can often feel it.

That subtle emotional layering is part of what makes repetition in art so powerful. It builds a kind of dialogue across time – not just between the artist and the work, but between past and present versions of the self.

The Role of Intuition in Creative Return

Some choices aren’t made logically. Artists often describe the urge to return to something as intuitive. They don’t always know why they’re drawn back to a particular subject. They just feel the need to explore it again.

This trust in instinct is part of the creative rhythm. When something stays in the mind or body long enough, it often finds its way back into the work. There’s no final version, no resolution. There’s just the ongoing process of making and unmaking meaning.

By allowing themes to return, artists give themselves permission not to “move on.” They let the work stay in conversation with itself, which often leads to more layered, emotionally rich results.

Conclusion – The Beauty of Unfinished Conversations

In life, not everything gets closure. Relationships evolve, memories change shape, and the meaning of something can shift quietly over time. Art, in many ways, reflects that same uncertainty.

When artists return to a theme, they aren’t failing to move forward. They’re deepening their connection to it. They’re saying: this still matters. This still speaks to me. This still hasn’t said all it can.

And for the viewer, these returns can feel like recognition. A reminder that emotions are not neat. That stories unfold in waves. And that art, at its most personal, is rarely about finding answers – it’s about asking the same question in a hundred different ways.

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How Relationships Shift Over Time and Why Artists Care About It https://www.katharinemulherin.com/how-relationships-shift-over-time-and-why-artists-care-about-it/ Fri, 28 Mar 2025 12:07:50 +0000 https://www.katharinemulherin.com/?p=409 Relationships don’t stay still. They evolve with time, shaped by change, distance, closeness, silence, and unexpected turns. Artists have long been drawn to these transitions, using their work to capture the quiet shifts in love, family, friendship, and identity. Whether through painting, sculpture, photography, or performance, creative expression becomes a way to hold onto fleeting...

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Relationships don’t stay still. They evolve with time, shaped by change, distance, closeness, silence, and unexpected turns. Artists have long been drawn to these transitions, using their work to capture the quiet shifts in love, family, friendship, and identity. Whether through painting, sculpture, photography, or performance, creative expression becomes a way to hold onto fleeting emotional truths.

This article explores how visual and emotional storytelling in art reveals the fragile nature of relationships. It also looks at why these themes matter not just to artists, but to anyone navigating personal bonds that change with time.

The Language of Change in Art

When artists focus on relationships, they’re rarely painting a perfect moment. More often, they depict what lingers after a conversation, or what’s left unsaid. Changes in posture, eye contact, physical space between people in an image can say as much as words. A shift in color palette, tone, or composition can reveal emotional distance or closeness.

Some works show the slow fading of connection. Others show reunion, resilience, or the weight of history between people. These pieces invite us to think not just about who we are to others, but how that definition shifts across decades, life events, or even daily moments.

This approach reflects the psychological depth of human connection. Artists are not simply observers – they’re interpreters. And many use their own evolving relationships as source material. By doing this, they give space to feelings that are hard to name but easy to recognize.

To understand more about how artists use metaphor and emotional depth in visual expression, you can explore the concept of symbolism here.

Family and the Tension Between Closeness and Distance

Family bonds are often the first and deepest relationships people experience. But they’re also the ones most likely to be tested over time. As people grow, move away, take on new roles, or experience loss, the dynamic between family members can shift in unpredictable ways.

Artists frequently explore these themes through images of domestic life, fragmented objects, or layered personal archives. A faded photograph, a repeated childhood object, or even an empty chair can carry emotional weight when placed in a creative context. These details remind viewers how relationships linger long after the people in them have changed.

This attention to everyday symbolism helps normalize the idea that closeness isn’t constant. The reality of growing apart and coming back together again is a cycle that’s not always dramatic, but still deeply emotional.

For people actively building or expanding families, this understanding is particularly relevant. It helps contextualize not only the relationships they have but the ones they’re hoping to create. For those seeking support, finding a fertility clinic near me is often part of this broader emotional journey.

Objects, Memory, and Emotional Triggers

Art often relies on material things to explore emotional relationships. An object can hold memories, create conflict, or symbolize a lost moment. This use of physical items in visual storytelling mirrors how we relate to belongings in our own lives. Think of the sweater you still keep from someone who’s gone, or the drawing your child made that you can’t throw away.

Installations and mixed media often use these ideas to make viewers reflect. Artists might incorporate broken dishes, worn clothing, or found family letters into their pieces. The materials carry their own narratives, and their reuse in art adds new meaning.

This practice connects deeply to how we experience relationships – through memory, association, and the physical residue of shared experience. It also reminds us that time changes how we feel about the same person or moment. What once felt insignificant may later become powerful.

Art offers a safe space for this emotional reassessment. And for artists and viewers alike, revisiting emotional triggers through creative expression can offer healing or insight into unresolved relationships.

Why Artists Keep Returning to These Themes

There’s a reason artists across time and place continue to explore personal connection. Relationships are where our biggest emotions happen – love, loss, disappointment, growth. They’re deeply personal but also universally relatable.

For artists, returning to this theme allows them to engage with questions that don’t have easy answers. How do we hold on to people? How do we let them go? Can closeness be rebuilt? What happens when someone changes, or we change?

These aren’t just personal concerns. In a broader social context, they mirror political and cultural conversations about care, belonging, and responsibility. The family unit may be personal, but it is also cultural – shaped by norms, expectations, and changing definitions. Art becomes a space to question what those relationships mean today.

This is especially relevant as people redefine what family looks like – single-parent households, chosen families, blended or transnational structures. Artists reflect this fluidity and offer new ways to see connection.

Conclusion – Relationships as Ongoing Stories

Art doesn’t freeze relationships in time. It opens them up. Through colors, textures, silence, and contrast, artists explore how love, memory, distance, and care shift as we move through life. These changes might be subtle or dramatic, but they’re always present.

By turning those shifts into something visual, artists create moments where we can reflect on our own emotional landscapes. We see ourselves and the people close to us differently. We recognize the beauty and difficulty in change.

Relationships aren’t static, and neither is the art that tells their story. Whether through the lens of family, memory, or longing, creativity continues to make space for questions we’re still learning how to ask.

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The Intersection of Interior Design and Contemporary Art at Katharine Mulherin https://www.katharinemulherin.com/the-intersection-of-interior-design-and-contemporary-art-at-katharine-mulherin/ Fri, 25 Aug 2023 12:27:09 +0000 https://www.katharinemulherin.com/?p=352 For over two decades, Katharine Mulherin Contemporary Art Projects and its affiliated galleries have been a beacon for art enthusiasts and connoisseurs, fostering a space where emerging and mid-career artists are celebrated. This artistic haven, established in 1998, has not only curated an array of captivating works but also become an emblem of the symbiotic...

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For over two decades, Katharine Mulherin Contemporary Art Projects and its affiliated galleries have been a beacon for art enthusiasts and connoisseurs, fostering a space where emerging and mid-career artists are celebrated. This artistic haven, established in 1998, has not only curated an array of captivating works but also become an emblem of the symbiotic relationship between contemporary art and interior design.

Creativity and Community

Beyond the strokes of paint and the sculptures that adorn the walls, Katharine Mulherin Contemporary Art Projects has woven a tapestry of creativity and community. Founded by the eponymous Katharine Mulherin, the galleries stand as a testament to her vision of providing a platform for artists to share their stories and perspectives. With an unwavering commitment to supporting emerging talents, the galleries have acted as a launchpad for countless artists, nurturing their growth and amplifying their voices.

Katharine Mulherin’s legacy extends beyond the confines of the galleries themselves. Her impact on the art scene is felt in the vibrant discussions, collaborations, and connections that have sprung forth from her endeavors. By providing a space where artists and enthusiasts can engage in dialogue, share ideas, and inspire one another, she has enriched the artistic landscape with a sense of belonging and shared purpose.

The interior design is a canvas where creativity meets functionality, and Katharine Mulherin Contemporary Art Projects has masterfully bridged the gap between artistic expression and livable spaces. By showcasing the creations of talented artists, they demonstrate the transformative power of art in interior design. Each piece, carefully curated and thoughtfully placed, becomes a conversation starter, a focal point, and a reflection of the dweller’s unique personality.

The synergy between art and interior design goes beyond mere aesthetics. It’s a collaboration that enriches the living experience, evoking emotions and resonating with the viewer’s sensibilities. As one enters a space adorned with art from Katharine Mulherin’s galleries, they’re greeted not only by the visual feast of colors, textures, and forms but also by an atmosphere that ignites curiosity and contemplation.

Integrating High-Tech Elements into Interior Spaces

In the ever-evolving world of interior design, tradition and innovation often find themselves in a delicate dance. As technology continues to reshape our lives, incorporating high-tech elements into interior spaces has become an exciting avenue for design enthusiasts. The introduction of cutting-edge solutions like soundproof booths adds a new layer of versatility to the concept of interior aesthetics.

Soundproof booths, once reserved for recording studios, have transcended their initial purpose to become integral components of contemporary living spaces. These modern marvels offer solace in the midst of bustling environments, providing a haven for focused work, immersive entertainment, or even moments of reflection. The challenge lies in seamlessly integrating these high-tech features without disrupting the overall aesthetic harmony of a space.

Making Informed Choices: Navigating the World of Soundproof Booths

Before embarking on the journey of incorporating high-tech elements like soundproof booths into your interior design, it’s essential to be well-informed about your choices. As with any design decision, understanding the key characteristics, nuances, and practical considerations is crucial. Thankfully, the digital age has opened up avenues for research and exploration.

Platforms like YouTube offer visual insights into the functionality and usage of soundproof booths. From hands-on demonstrations to in-depth reviews, these videos provide a tangible sense of what to expect. Online communities like Reddit allow users to engage in discussions, ask questions, and receive real-world advice from those who have integrated similar elements into their spaces.

In addition, articles such as the one found at SilenceWiki (https://silencewiki.com/sounproof-booths-pods/studiobricks-vs-whisper-room/) provide comparative analyses, helping you navigate the nuances between different options. This kind of research empowers you to make an informed decision that aligns with both your aesthetic preferences and practical needs.

In the tapestry of interior design, the marriage of art and technology weaves a narrative of endless possibilities. Katharine Mulherin Contemporary Art Projects and its affiliated galleries, by celebrating the synergy between contemporary art and living spaces, exemplify how every element can contribute to a captivating and harmonious interior aesthetic. As we embrace the future with innovations like soundproof booths, the art of interior design continues to evolve, offering a canvas where tradition and innovation coalesce in perfect harmony.

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Virtual Visions: Exploring Online Art Galleries https://www.katharinemulherin.com/virtual-visions-exploring-online-art-galleries/ Fri, 11 Aug 2023 06:14:23 +0000 https://www.katharinemulherin.com/?p=346 Opening Doors to Global Art Access In the evolving landscape of the art world, the emergence of virtual art galleries is a game-changer. It’s a leap from the tangible to the intangible, transforming the way art is exhibited and consumed. Let’s explore this digital transition and how it impacts both artists and art enthusiasts. Worldwide...

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Opening Doors to Global Art Access

In the evolving landscape of the art world, the emergence of virtual art galleries is a game-changer. It’s a leap from the tangible to the intangible, transforming the way art is exhibited and consumed. Let’s explore this digital transition and how it impacts both artists and art enthusiasts.

Worldwide Reach

Virtual art galleries are essentially borderless. Whether you’re in a bustling city or a remote countryside, these galleries are just a click away. By erasing geographical limitations, virtual galleries are uniting art lovers across the globe, providing an equal opportunity to delve into diverse art forms.

Round-the-Clock Exploration

Unlike conventional galleries, virtual ones never close their doors. This accessibility, regardless of time zones or local business hours, allows more people to engage with art according to their schedules and paves the way for a more personalized experience.

Engaging and Interactive Encounters

Virtual art galleries aren’t simply digitized versions of their physical counterparts. They often employ cutting-edge technology, like 3D visualization and virtual reality, to provide an interactive and richly engaging environment, offering unique insights into the art pieces.

A Platform for Emerging Talents

Online galleries aren’t just about viewing art; they have also democratized the stage for showcasing it. They are a boon for budding artists struggling to break into the conventional gallery scene.

Lower Costs, Higher Exposure

Virtual galleries don’t demand the physical and financial investments that traditional ones do. Artists can create virtual exhibits without the overhead costs, and the global reach ensures their work is exposed to a broader audience.

Unleashing Creativity

The virtual platform encourages artists to think beyond the conventional. With no physical limitations, they can experiment with how their work is presented, creating visually stunning virtual environments that complement their art.

Addressing the Virtual Challenge

The transition from physical to virtual is not without its hurdles. There are distinct challenges that the virtual art world must overcome.

Maintaining the Artistic Essence

The physical sensation of standing before a piece of art, absorbing its textures and nuances, is irreplaceable. Finding ways to transmit that sensory experience through the screen is one of the main challenges faced by virtual galleries.

Ensuring Equal Access

While virtual galleries have broadened access in many ways, technological disparities can still exclude some individuals. Not everyone has the high-speed internet or devices necessary to explore these online spaces fully.

Protecting the Artist’s Rights

Virtual galleries must implement robust security measures to safeguard artists’ intellectual property rights. Ensuring that the digital representations of artworks are secure is paramount.

Virtual Galleries: A Paradigm Shift

The rise of virtual art galleries is a significant cultural development. By democratizing access and providing a nurturing platform for new talents, virtual galleries are reshaping the very fabric of the art world. Yet, the virtual platform must also find ways to retain the essential human connection with art and ensure that it is genuinely accessible and secure for everyone. In “Virtual Visions,” we glimpse a future where art is not confined by walls but is a globally shared experience, opening up new horizons for artists and art lovers alike. This digital shift is more than a trend; it’s a new way of seeing, understanding, and engaging with art.

Embracing the Future: The Art World Reimagined

The metamorphosis of art galleries from physical spaces to virtual realms is more than a technological advancement; it’s a cultural evolution that reflects our changing world. It’s a vision of inclusivity, where art transcends geographical and economic barriers, reaching out to every corner of the globe. Virtual galleries have broadened horizons for both artists and art enthusiasts, leveling the playing field and sparking creativity. They’ve introduced the world to a novel way of experiencing art, rich with interactivity and accessibility. Yet, this is just the beginning. 

As technology continues to advance, so too will the potential for virtual galleries. The challenges they face are opportunities for growth, refinement, and further innovation. In embracing this virtual future, we are not leaving behind the traditional art gallery but augmenting it, creating a multifaceted art world where physical and virtual experiences complement each other. The rise of virtual art galleries is a testament to human creativity and adaptability, proving that even in a digital age, the love for art, in all its forms, continues to thrive. It’s a brave new world for art, and the possibilities are virtually limitless.

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Aesthetic Odds: Betting Meets Art https://www.katharinemulherin.com/aesthetic-odds-betting-meets-art/ Fri, 11 Aug 2023 06:08:32 +0000 https://www.katharinemulherin.com/?p=342 The Fusion of Art and Betting The fusion of art and sports betting seems improbable at first glance. However, delve into the intricacies of both, and you will find an unexplored connection that links abstract art and the world of sports wagering. At the heart of this unique blend is unpredictability and a sense of...

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The Fusion of Art and Betting

The fusion of art and sports betting seems improbable at first glance. However, delve into the intricacies of both, and you will find an unexplored connection that links abstract art and the world of sports wagering. At the heart of this unique blend is unpredictability and a sense of wonder, capturing the essence of human emotions.

Chance and Chaos in Modern Art

In the world of abstract art, chaos and unpredictability are celebrated. The art form revels in irregularities, breaking conventional forms and ideas, making it an accurate reflection of life’s uncertainties. Artists like Jackson Pollock were known to embrace randomness, allowing splatters of paint to fall where they may, thus turning chance into an aesthetic decision. Sports betting, particularly in tennis, possesses a similar allure. The unpredictable nature of a game, especially when it comes to betting on tennis matches, can be likened to abstract art. Both the bettor and the artist dance with unpredictability, maneuvering through a complex system of risks, rewards, emotions, and skills.

Betting on Tennis: A Creative Pursuit

The tennis court is not just a place for athletes to compete; it’s a canvas where a dramatic and unpredictable story unfolds. A bet placed on a tennis match brings into play various dynamics like the player’s form, weather conditions, and even the crowd’s energy. Understanding and analyzing these dynamics can be seen as an art form itself. Making informed decisions while placing bets can be both thrilling and chaotic. Tennis betting isn’t merely about odds and statistics; it’s about intuition, creativity, and interpreting subtle cues that can affect the game’s outcome. For more insights into tennis betting, you can explore this article, shedding light on the impact of wagering on tennis, from various angles, including ethics and integrity.

Artistic Principles in Betting Strategy

Much like an artist approaches a blank canvas, a bettor approaches a game with a vision, a strategy, and a willingness to take risks. They both rely on a blend of intuition and technique. The artist may apply principles of color theory and composition, while the bettor considers player statistics and game dynamics. What links these seemingly disparate activities is the element of chance. In art, a stray brushstroke might lead to a new creative breakthrough; in betting, an unexpected play might turn the tables in favor of the underdog.

Embracing Risk: Lessons from Art and Tennis Betting

The world of betting and art isn’t just about chaos and unpredictability; it’s also about embracing risks and learning from them. Both realms offer valuable insights into understanding risk and reward and how they translate into various aspects of life.

Risk as an Artistic Endeavor

Artists often take risks by exploring unconventional mediums, challenging social norms, or expressing controversial opinions through their work. They face the risk of rejection, criticism, or misunderstanding. But it’s through these very risks that new art forms emerge and societal boundaries are pushed.

Risk in the Betting Arena

Similarly, in the world of tennis betting, taking calculated risks is integral to the game. It’s about understanding the dynamics, doing the homework, and then making a decision that might go against conventional wisdom. For example, betting on an underdog in a tennis match might seem risky, but with the right insights and timing, it can pay off handsomely. The thrill of taking such a risk and the potential rewards create a captivating game within the game itself.

A Balanced Perspective

However, risk-taking in both art and betting should not be reckless. Artists must balance their vision with the potential impact of their work, and bettors must weigh the odds with the stakes involved. This balance between risk and reward creates a fascinating dynamic that drives both artists and bettors to innovate, strategize, and reflect.

The Risk of Innovation

Whether you’re an artist pushing the boundaries of conventional art or a bettor exploring new strategies in tennis betting, taking risks leads to innovation. It’s this innovation that keeps both the art world and the betting world fresh, engaging, and ever-evolving.

Conclusion

The comparison between abstract art and sports betting goes beyond mere aesthetics. It’s a manifestation of human nature’s affinity for unpredictability and excitement. Embracing chaos, whether in a paint-splattered canvas or a high-stakes tennis match, is a celebration of life’s uncertainties. The aesthetic of chance, thus, emerges as a compelling analogy, linking the worlds of sports betting and modern art in a dance that is as complex as it is beautiful. Whether you are an artist, a bettor, or an observer, there’s a rhythm to this chaos that resonates deeply with the human experience.

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How to understand contemporary art? https://www.katharinemulherin.com/how-to-understand-contemporary-art/ https://www.katharinemulherin.com/how-to-understand-contemporary-art/#respond Wed, 05 May 2021 07:05:43 +0000 https://www.katharinemulherin.com/?p=10 In fact, when we talk about contemporary art, we are entering a rather slippery path, because now there is a lot of art. If before there was always one direction, for example, baroque, and leading artists wrote in this style, now there is no such stream direction. And every person, an artist, tries to express...

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In fact, when we talk about contemporary art, we are entering a rather slippery path, because now there is a lot of art. If before there was always one direction, for example, baroque, and leading artists wrote in this style, now there is no such stream direction. And every person, an artist, tries to express himself in a special way. He is trying to do something that has not been done before.

I think that now two areas can be distinguished: these are artists-researchers (this is exactly what appeared after the 70s of the 20th century), who study social processes, and they show the results of their research in their work. And to understand this direction of art, you need to know the theoretical basis. The author expresses some idea, usually it is somehow justified, and this idea needs to be known in order to understand the essence of what is happening.

And the second direction is those artists who express their emotions, themselves, their feelings, experiences. And here there is no longer any theoretical basis. Everything here is designed for emotions, i.e. how a person perceives it not with his brain, but with his senses. Art for art’s sake.

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Why can someone’s paintings, which depict a couple of spots or strokes, can be worth millions, and someone’s not? https://www.katharinemulherin.com/why-can-someones-paintings-which-depict-a-couple-of-spots-or-strokes-can-be-worth-millions-and-someones-not/ https://www.katharinemulherin.com/why-can-someones-paintings-which-depict-a-couple-of-spots-or-strokes-can-be-worth-millions-and-someones-not/#respond Fri, 23 Apr 2021 13:12:45 +0000 https://www.katharinemulherin.com/?p=1 Yes, this is a question that worries many. Usually they say – yes, my five-year-old son will draw in the same way! Just in the middle of the 20th century, the problem of the relationship between creation and creator arises: this work is art, therefore I am an artist. Or did I call myself an...

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Yes, this is a question that worries many. Usually they say – yes, my five-year-old son will draw in the same way! Just in the middle of the 20th century, the problem of the relationship between creation and creator arises: this work is art, therefore I am an artist. Or did I call myself an artist, and that’s why everything I do is art? And now a lot depends on the personality of the artist. This is a person whom the critic, in fact, called an artist, which means that everything he does is art. Anyone can paint a picture, but it will not sell, because the person himself is not known in the art society.

What matters is the artist’s creative method and how innovative it turns out to be. Let’s say Jackson Pollock with his abstract expressionism and paint splatter technique. He became the first, went down in history, became one of the most famous artists of the 20th century, and it is his works that are sold for fabulous money. As, however, and the work of Mark Rothko, which is usually fond of remembering the “residents” of social networks. All these avant-garde artists had a classical education, but they did not stop there, but went further, developing their vision of art. If someone wants to repeat the creative method of Rothko or Malevich, then this, of course, will not be quoted on the art market, because “we have already seen this.”

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Problems of contemporary art https://www.katharinemulherin.com/problems-of-contemporary-art/ https://www.katharinemulherin.com/problems-of-contemporary-art/#respond Wed, 17 Mar 2021 07:17:00 +0000 https://www.katharinemulherin.com/?p=15 The first thing I would like to highlight is the bureaucratic apparatus. If you do some kind of event, then usually when you reach it through economists, lawyers and so on, then nothing remains of this artistic project. But can we defeat this bureaucracy now? – unlikely. You need to try to abstract from this....

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The first thing I would like to highlight is the bureaucratic apparatus. If you do some kind of event, then usually when you reach it through economists, lawyers and so on, then nothing remains of this artistic project. But can we defeat this bureaucracy now? – unlikely. You need to try to abstract from this. Second, now museums, like cinemas, must earn money. A very bad trend. Here the museum is aimed not at education, but at ratings. And there is not obvious, but rather strong competition between museums. I think this is very wrong. It is necessary to create a cultural environment in the city so that a person chooses not between museums, but between, say, a museum and a shopping center. I really want people to spend more time learning something. I am in this environment, and I know what is happening and where, but most people do not get this information. It seems to me that it is necessary to create a single platform, a site where all information about all the museums in the city will be concentrated.

And, thirdly, there is a persistent stereotype that a museum is a dead boring place. A modern museum is a space where you can spend your time interestingly. For example, most of our projects are aimed at a young audience. It is necessary to convey that museums are not boring, interesting, and even more “entertaining” than cinemas. These are probably three main problems.

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